Jeremy Wineberg is a designer, educator and visual artist working in painting, drawing, sculpture, video and installation. His work has been shown uacross the United States and has recently dealt with mapping, synesthesia, psychogeography, chaos and gravity. He currently lives and works in Madison, Wisconsin, where he also co-curates the Little Galleries and occasionally contributes to Spackle Madison.
Recent Work:
News:
The Apartment Project was an amazing visual, edible and audible experience. Curated by Bethany Jurewicz, menu by Jon Churan of Underground Food Collective, music programming by Matt Ambrosio, and an opening night with Drink Tank cultivating creativity in a collision of beer, art and food. Check out the write up in the Cap Times and Madison Magazine.
Little Galleries are up and running for the 2016 season, check them out on Monroe Street and Mifflin Street in Madison.
Upcoming Exhibits:
Solo show at Caestecker Gallery, Ripon College, opening in March 2017
A Tiny Rivulet in the Distant Forest, curated Michael Velliquette at ArtStart in Rhinelander WI, opening in May 2017
Recent exhibits:
Luck of the Draw (Volume 1) in the Diane Endres Ballweg Gallery at the Central Library in Madison, WI
Gravity Shifts , selected as a Spackle Madison Favorite of 2015:
Gravity Shifts swept through the long, wide gallery space and filled it with silhouetted forms in black paint and hand-cut mirrored mylar. Each part mesmerized us with its clean precision and narrative detail and moved us with its gestural power and visual accessibility. The riffled distortions of the shiny mylar upended and shattered everything caught in its reflection casting viewers into parts of the installation they couldn’t just then see. Complicated figures spilled across the wall with the fullness of stop action sequences and the simplicity of paper dolls. Among the masterful variations was one of barely separated moments of a figure losing a battle with gravity and her grip on a child. The deft compositional connectedness of the installation made taking it all seem oh so possible. We moved from image to image trying to do just that and failed. As much as we “connected the dots” of content, juxtapositions and reflections, we could sense the whole but never own it. As with the ways of great art, as with the imperturbable laws of nature.
- Barbara Landes and Paul Sullivan