JEREMY WINEBERG
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​ABOUT

Jeremy Wineberg is a designer, educator and visual artist working in painting, drawing, sculpture, video and installation media. He grew up in Pennsylvania and studied art formally at the University of Delaware, Vermont Studio Center, and Millersville University.  His informal education includes travel abroad as well as experiences interacting with artistic communities throughout the United States. His work draws connections between small everyday events and larger accumulations of matter, space and time to playfully speak about creative and chaotic origins.
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Jeremy has worked collaboratively with engineers, performance artists, musicians, chefs and other visual artists. He has received several grants for public and collaborative work, including Inverted Lakes in 2007 and the Little Galleries Project, with artist and co-curator Rachel Bruya, in 2013. His work has been reproduced in New American Paintings and recently shown in Seattle WA, Madison WI, Denver CO, Philadelphia PA, Marion OH, Nashville TN, the Katonah Museum NY and New York City. 

He lives and works in Madison, Wisconsin.

Gravity Shifts swept through the long, wide gallery space and filled it with silhouetted forms in black paint and hand-cut mirrored mylar. Each part mesmerized us with its clean precision and narrative detail and moved us with its gestural power and visual accessibility. The riffled distortions of the shiny mylar upended and shattered everything caught in its reflection casting viewers into parts of the installation they couldn’t just then see. Complicated figures spilled across the wall with the fullness of stop action sequences and the simplicity of paper dolls. Among the masterful variations was one of barely separated moments of a figure losing a battle with gravity and her grip on a child. The deft compositional connectedness of the installation made taking it all seem oh so possible. We moved from image to image trying to do just that and failed. As much as we “connected the dots” of content, juxtapositions and reflections, we could sense the whole but never own it. As with the ways of great art, as with the imperturbable laws of nature.
- Barbara Landes and Paul Sullivan on Gravity Shifts, ​Best of Spackle Madison 2015

News


Artist Statement


CV


Recent Work


Press:

​For the Record, ​on Future Possible

Wisconsin State Journal, on Future Possible

Wisconsin People and Ideas Winter 2018, on Future Possible

Wisconsin Academy ​of Science Arts and Letters on A Tiny Rivulet in the Distant Forest

Madison Magazine on Forge

Wisconsin State Journal on Forge

Wisconsin State Journal on Municipal

Capitol Times
on Municipal

Capitol Times on the Apartment Project

Madison Magazine on the Apartment Project

By and Large on Ripple

WORT O'Clock Buzz on Gravity Shifts

By and Large on Whence

Capitol Times on the Little Galleries

Isthmus on the Little Galleries

Capitol Times on the Little Galleries

Teaching Statement and Student Work


CONTACT
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